{"data":{"id":12685,"title":"2271: One Small Jump for Man","rsi_url":"https:\/\/robertsspaceindustries.com\/comm-link\/spectrum-dispatch\/12685-2271-One-Small-Jump-For-Man","api_url":"https:\/\/api.star-citizen.wiki\/api\/comm-links\/12685","api_public_url":"https:\/\/api.star-citizen.wiki\/comm-links\/12685","channel":"Undefined","category":"Undefined","series":"Time Capsule","images":[{"id":36,"name":"TimeCapsuleMag_FICrop.jpg","rsi_url":"https:\/\/robertsspaceindustries.com\/media\/z1nx2luy4qkq5r\/source\/TimeCapsuleMag_FICrop.jpg","alt":"","size":705291,"mime_type":"image\/jpeg","last_modified":"2013-07-19T05:30:14+00:00","api_url":"https:\/\/api.star-citizen.wiki\/api\/comm-link-images\/36","similar_url":"https:\/\/api.star-citizen.wiki\/api\/comm-link-images\/36\/similar"}],"images_count":1,"translations":{"en_EN":"JUMPER Review\n\nUS\/Color\/123min\n\nBy. Kevin Lazarus\nWhen Global\/Nexus announced last year that it was embarking on yet another biopic of famed astro-pioneer Nick Croshaw, it seemed preposterous. Everybody and their mother knows his story; from his relentless study of the space anomaly that seemed to swallow ships whole to finally becoming the first man to discover and successfully navigate through a jump-point. We\u2019ve all been here before. Seen it done on Vid, in song, I\u2019m sure someone\u2019s painted it, but here\u2019s the thing\u2026 this one\u2019s really good.\n\nStarting with a script from newcomer Thomas Goss, Prods were able to attract A-list talent like Michael Forbe (Croshaw) and Lima Hannigan (Baxter) and director Ariel Kalil (Requiem\u2019s Run). Text and Vis has a v\u00e9rit\u00e9 feel that doesn\u2019t patronize. It adds a vitality and urgency to what had always been the stumbling block for earlier attempts at the same story; the early days. This period of Croshaw\u2019s life was effectively trial and error, attempting to understand what caused and how to consistently trigger the anomaly to open is pretty dry stuff, essentially boiling down to arguments about astrophysics and folds in time\/space. Somehow the Makers tone it down just enough to make it accessible and get you emotionally involved but without losing the intellectually challenging elements of the discourse.\n\nOnce the film moves into Croshaw\u2019s attempt to cross the Fold for the first time, it shifts into a more conventional adventure story but since it had done such a wonderful job setting up everything that\u2019s at stake, you\u2019re ready for something a little more fast-paced, which brings us to probably the stand-out set-piece in the entire Vid. Everyone knows the dangers of jump-point navigation, it\u2019s like piloting through an asteroid field with afterburners on. That\u2019s what we\u2019re told. Now we can experience what it must feel like; the blinding speeds, the abject terror, but also that rush, that insane high of skating to the edge and coming out the other side. It makes it all the more insane and incredible that this actually happens.\n\nThe Vis once Croshaw comes out the other side of the jump-point are impeccably done, regressing what we all know as the Croshaw System into what it probably looked like when he saw it for the first time with all the wonder that I\u2019m sure he felt.\n\nTech achievements are top-notch across the board. William Kurtz\u2019s score is both sweeping and intimate.\n\nVid will appeal to multi-demo crowd though young children probably won\u2019t like the science-speak. Available for Dish and Wave set this week, standard ul\/dl costs apply.","de_DE":"JUMPER Review\n\nUS\/Farbe\/123min\n\nBy. Kevin Lazarus\n\nAls Global\/Nexus im vergangenen Jahr bekannt gab, dass es sich um ein weiteres Biopic des ber\u00fchmten Astro-Pioniers Nick Croshaw handelte, erschien es uns absurd. Jeder und ihre Mutter kennen seine Geschichte, von seiner unerbittlichen Erforschung der Raumanomalie, die Schiffe zu verschlingen schien, bis hin zum ersten Mann, der einen Sprungpunkt entdeckt und erfolgreich navigiert hat. Wir waren alle schon mal hier. Ich bin sicher, dass es jemand gemalt hat, aber hier ist die Sache.... diese hier ist wirklich gut.\n\nAusgehend von einem Drehbuch des Newcomers Thomas Goss konnten Prods A-Listen-Talente wie Michael Forbe (Croshaw) und Lima Hannigan (Baxter) sowie Regisseur Ariel Kalil (Requiem's Run) gewinnen. Text und Vis hat ein V\u00e9rit\u00e9-Feeling, das nicht bevormundet. Es verleiht dem, was immer der Stolperstein f\u00fcr fr\u00fchere Versuche zur gleichen Geschichte war, der Anfangszeit, eine Vitalit\u00e4t und Dringlichkeit. Diese Periode von Croshaws Leben war effektiv Trial-and-Error, der versuchte zu verstehen, was die Anomalie verursacht hat und wie man sie konsequent ausl\u00f6st, um sie zu \u00f6ffnen, ist ziemlich trockenes Zeug, das im Wesentlichen auf Argumente \u00fcber Astrophysik und Falten in Zeit\/Raum reduziert wurde. Irgendwie mildern die Macher es gerade genug, um es zug\u00e4nglich zu machen und Sie emotional einzubeziehen, ohne jedoch die intellektuell herausfordernden Elemente des Diskurses zu verlieren.\n\nSobald sich der Film in Croshaws Versuch begibt, die Fold zum ersten Mal zu \u00fcberqueren, verlagert er sich in eine konventionellere Abenteuergeschichte, aber da er so einen wunderbaren Job gemacht hat, alles, was auf dem Spiel steht, einzurichten, ist man bereit f\u00fcr etwas etwas Etwas Schnelleres, was uns wahrscheinlich zum herausragenden Set-Piece im gesamten Vid f\u00fchrt. Jeder kennt die Gefahren der Sprungmarkierung, es ist wie das Fliegen durch ein Asteroidenfeld mit Nachbrennern. Das ist es, was man uns sagt. Jetzt k\u00f6nnen wir erleben, wie es sich anf\u00fchlen muss; die blendenden Geschwindigkeiten, der elende Schrecken, aber auch dieser Ansturm, dieses wahnsinnige Hoch des Skatens zum Rand und des Herauskommens auf der anderen Seite. Es macht es umso wahnsinniger und unglaublicher, dass dies tats\u00e4chlich passiert.\n\nDer Vis, sobald der Croshaw auf der anderen Seite des Sprungpunktes herauskommt, ist makellos gemacht und regressiert das, was wir alle als Croshaw-System kennen, in das, wie es wahrscheinlich aussah, als er es zum ersten Mal sah, mit all dem Wunder, das er sich sicher f\u00fchlte.\n\nTechnische Errungenschaften sind in jeder Hinsicht erstklassig. William Kurtz' Partitur ist sowohl mitrei\u00dfend als auch intim.\n\nVid wird die Multi-Demo-Crowd ansprechen, obwohl kleine Kinder wahrscheinlich das Wissenschaftsgespr\u00e4ch nicht m\u00f6gen werden. Verf\u00fcgbar f\u00fcr Dish and Wave Set diese Woche, Standard ul\/dl Kosten gelten.","zh_CN":"JUMPER Review\n\nUS\/Color\/123min\n\nBy. Kevin Lazarus\nWhen Global\/Nexus announced last year that it was embarking on yet another biopic of famed astro-pioneer Nick Croshaw, it seemed preposterous. Everybody and their mother knows his story; from his relentless study of the space anomaly that seemed to swallow ships whole to finally becoming the first man to discover and successfully navigate through a jump-point. We\u2019ve all been here before. Seen it done on Vid, in song, I\u2019m sure someone\u2019s painted it, but here\u2019s the thing\u2026 this one\u2019s really good.\n\nStarting with a script from newcomer Thomas Goss, Prods were able to attract A-list talent like Michael Forbe (Croshaw) and Lima Hannigan (Baxter) and director Ariel Kalil (Requiem\u2019s Run). Text and Vis has a v\u00e9rit\u00e9 feel that doesn\u2019t patronize. It adds a vitality and urgency to what had always been the stumbling block for earlier attempts at the same story; the early days. This period of Croshaw\u2019s life was effectively trial and error, attempting to understand what caused and how to consistently trigger the anomaly to open is pretty dry stuff, essentially boiling down to arguments about astrophysics and folds in time\/space. Somehow the Makers tone it down just enough to make it accessible and get you emotionally involved but without losing the intellectually challenging elements of the discourse.\n\nOnce the film moves into Croshaw\u2019s attempt to cross the Fold for the first time, it shifts into a more conventional adventure story but since it had done such a wonderful job setting up everything that\u2019s at stake, you\u2019re ready for something a little more fast-paced, which brings us to probably the stand-out set-piece in the entire Vid. Everyone knows the dangers of jump-point navigation, it\u2019s like piloting through an asteroid field with afterburners on. That\u2019s what we\u2019re told. Now we can experience what it must feel like; the blinding speeds, the abject terror, but also that rush, that insane high of skating to the edge and coming out the other side. It makes it all the more insane and incredible that this actually happens.\n\nThe Vis once Croshaw comes out the other side of the jump-point are impeccably done, regressing what we all know as the Croshaw System into what it probably looked like when he saw it for the first time with all the wonder that I\u2019m sure he felt.\n\nTech achievements are top-notch across the board. William Kurtz\u2019s score is both sweeping and intimate.\n\nVid will appeal to multi-demo crowd though young children probably won\u2019t like the science-speak. Available for Dish and Wave set this week, standard ul\/dl costs apply."},"links_count":0,"comment_count":30,"created_at":"2012-09-19T00:00:00+00:00","created_at_human":"13 years ago"},"meta":{"processed_at":"2026-04-30 02:13:10","valid_relations":["images","links","translations"],"prev_id":12684,"next_id":12686}}